Friday, April 28, 2006

TONIGHT! Gnarls Barkley -- free Secret Show in LA


Myspace Secret Shows is excited to bring you a very special debut performance of:
Gnarls Barkley
(featuring Dangermouse & Cee-lo)

WHERE:
The Roxy
9009 W. Sunset Blvd.
Los Angeles, 90069
(310) 276-2222

FREE!!!!!!!!!!!!!!!!!!!

WHEN:

TONIGHT!

Friday, April 28th, 2006
Doors @ 7:00 PM

This show is first come first served, so get there early to ensure admittance

ALL AGES

(no wristbands needed)

Wednesday, April 26, 2006

REAL ESTATE > Los Feliz landmark


Its role as home to film stars has spanned decades. Now the distinctive Los Feliz house is on the market for $3.1 million.

Christina Ricci, the current owner, bought it after Diane Keaton, and Keaton took her cue in the 1990s from matinee idol Ramon Novarro, who purchased the house shortly after it was built in 1928.

But having had three famous owners is only part of the story behind the unique-looking house.

"It is a piece of Los Angeles' architectural history," Ricci said, "and there is something incredibly magical about the feel of the house and its grounds."

The home is a city of Los Angeles historic-cultural monument known as the Samuel-Novarro House, built for Louis Samuel, Novarro's business manager, who sold it to the silent-screen star.

Lloyd Wright, son of architect Frank Lloyd Wright, designed the three-level house, using a type of reinforced concrete-block construction that he developed with his father. Hand-hammered copper friezes and panels featuring the arrowhead as a design element cover the home. The house also has concrete floors, built-in shelving and a pool.

Typical of Lloyd Wright's style, many of the indoor spaces have adjoining outdoor living spaces. There is a deck off the master bedroom, overlooking the pool. The dining room opens to a patio. A second master bedroom or den has tall glass doors leading to an outdoor seating area and several levels of gardens, walkways and patios. The house is in the Oaks, an exclusive neighborhood in Los Feliz.

The home was preserved and updated in the '90s by Keaton.

Ricci has owned the 2,690-square-foot house with three bedrooms and 3 1/2 bathrooms since June 2005. The 26-year-old, who played daughter Wednesday in two "Addams Family" films, made the transition from child star to adult actress in "The Ice Storm" (1997). She started filming in January on the movie "Penelope," which stars Reese Witherspoon.

Samantha Cooper of Sotheby's International Realty, Pacific Palisades, has the listing.

COLUMN > The Plight of the Über Rube


There's a reason he doesn't live in Los Angeles. He can't stop himself from staring when a star walks by.

By J.R. Moehringer

She was standing by the fax machine, though she didn't seem to be sending a fax, didn't even seem to notice the machine. She appeared lost, unsure where she was, maybe unable to believe where she was. A Kinko's in Studio City? How in the—?!

She didn't notice me either. Like the fax machine, I was part of the furniture. It took more effort not to notice me, though, because I was flat-out gawking. How could I not? Hours earlier I'd seen her giving false testimony, then cavorting naked in a swimming pool. She was Sandra McCoy, star of "Wild Things: Diamonds in the Rough," an R-rated straight-to-video dud released in 2005.

My friends think the really shocking part of this story isn't that I saw McCoy just hours after seeing her movie, but that I saw her movie. Why, they invariably ask—"Why, man, why!?"—was I watching "Wild Things?"

Fair question. Honestly, it was an accident. It was late and I was supposed to be packing for an early morning flight to Los Angeles, but instead I was procrastinating, reading, watching TV. Flipping channels, I chanced upon McCoy and her costar having a catfight. Next thing I knew they were kissing. Kissing like there was no tomorrow. Next thing I knew it was tomorrow—3 a.m. and my bags still weren't packed.

Read on
.

CLUBS > Gatsbies and the Wannabes


The roving Xenii parties give members who pay to play a chance to rub shoulders with celebrities, or at least to catch a glimpse.

At around 3:30 a.m., Rob Perry's members-only party at a cavernous Hollywood soundstage was going full tilt.

Bikini-clad go-go girls emerged from bathtubs onstage into a mist of soapy bubbles sprayed from a machine. Couples locked lips in a darkened sofa area. Skinny women on a densely packed dance floor hoisted their cocktails into the air and rocked their heads to Bon Jovi's 20-year-old hit, "You Give Love a Bad Name," without a shred of nostalgia.

Possibilities are Endless When Great People Come Together
Think 1965... Andy Warhol and the Factory
Think 1925... The Great Gatsby Gatherings
Perry's Blackberry vibrated and it was once again time to vet the celebrities who wanted to come in.

"How about Sean Salisbury of ESPN?" a doorman wrote, asking if the football analyst could come in as a guest. The answer was no. "He's free to join" as a member, Perry wrote back, before acknowledging, "He was a good quarterback."

New York Giants linebacker Antonio Pierce? "He has to join," responded Perry.

Perry was more welcoming when some bigger names showed up. Actor Vin Diesel? Show him in. Producer-director Michael Bay and guests? Lead them to the VIP area. When cyclist Lance Armstrong arrived, the staff scrambled to arrange private tables.

It's this sort of exclusivity — where the A-listers are separated from the lesser-listers — that has helped fuel a following for Perry's weekly soirees known as Xenii (pronounced x-ee-nee, a Latin word meaning a gift from a host to a guest).

Each week for the last 10 months, Perry has thrown lavish parties at secret locations that have attracted a scattering of celebrities and many more well-heeled "civilians" who pay hefty prices to rub shoulders with them, or at the very least, their entourages.

The parties have been held in places like the Jim Henson Studios on La Brea Avenue and at Union Station downtown. A recent event drew 800 people to the Sunset-Gower Studios.

It's perhaps the ultimate expression of hype in Hollywood's overheated night scene. It costs men between $650 and $4,500 a month for membership — and that's only after passing a screening process that requires references and employment information. For women, memberships start at $250 a month, but they represent only 10% of Xenii's 575 paying subscribers.

The most expensive memberships offer a variety of perks, including priority access to events, reserved tables, valet parking, backstage passes to concerts and extra guest passes to Xenii.

Xenii acts much like a mobile country club, offering summer pool parties, charity nights, dinner get-togethers, movie screenings and concierge service for trendy restaurants and sporting events.

The biggest draw, however, is the evening parties on the weekends. Members are alerted to the event's location every Wednesday through an online newsletter. Once there, visitors are served free food and drinks.

"What we're doing is totally different," said Perry, 43, a former sports agent who resembles Iggy Pop, if Iggy Pop led a life of exercise and tanning. "Other clubs are open to the public. We're a private party. We provide elite, cutting-edge events. We've created a community. Like a modern-day Gatsby."

Xenii offers members another perk: It serves free liquor until festivities end at 5 a.m. Perry and his business partner and promoter, Michael Sutton, note that Xenii is a private, members-only party and therefore not restricted by a California Department of Alcohol and Beverage Control license, which requires public bars to stop serving alcohol at 2 a.m.

Read on
.

Monday, April 24, 2006

ARCHITECTURE > Gehry's Transformative Plans for Downtown Unveiled


LATIMES.COM: Architects Frank Gehry, right, and Craig Webb display a model for their Grand Avenue project, which they will unveil today. It would include residential and commercial buildings and is expected to cost about $750 million.

Saturday, April 15, 2006

CRIME > Unlikely Candidate for Car Bomber


LATIMES.COM: The airport worker enjoyed Hollywood's club scene. His hand was found chained to the steering wheel in Iraq's deadliest attack.

There was nothing like it in Jordan, Raed Mansour Albanna told his American friend. They were in a Hollywood club and — fueled with beer and shots of Jagermeister — Albanna was dancing with abandon. The pounding music was liberating and the young Muslim was on his game.

It was a few months before 9/11, and Albanna had left the constraints of his Islamic country far behind. In America, friends said, he had found what he was looking for — sex, drugs and rock 'n' roll.

He was into partying. We hit some pretty wild clubs in Hollywood," said Steve Gray, who worked with Albanna at Ontario International Airport and considered him a close friend.

Albanna, 32, had a fondness for American women, the grunge sound of Nirvana and Harley-Davidson motorcycles and the bad-boy image they conveyed. He told friends he loved the freedom he felt in America.

All the more reason his friends were dumbfounded when they were told that the funloving Jordanian had become a suicide car bomber, pulling off the deadliest single attack in Iraq. U.S. authorities said he killed 132 Iraqis outside a Hillah medical clinic Feb. 28, 2005.

A hand chained to a steering wheel revealed fingerprints that identified him as the bomber. It was the only body part that remained.

la-me-suicide15apr15%2C0%2C456591.pdf

Thursday, April 13, 2006

ART > Daniel Joseph Martinez @ LAXART


ARTFORUM.COM: History hardens. Daniel Joseph Martinez's show at the new LAXART space is above all about this calcification: Events stiffening into images and things. Bleak scenes from the 1972 Munich and 1968 Mexico City Olympics, emptied of figures, are flattened into photostats. The floor of the main gallery is congealed into lumpen asphalt and a border of squishy, lugubrious lard. Huge texts on the façade and walls of the gallery and a nearby billboard pose poetic and propagandistic fragments—cliché being thought crystallized into convention. Martinez has explored truisms before, in works like his buttons proclaiming "I can't imagine ever wanting to be white" at the 1993 Whitney Biennial. That stridency is thankfully muted now. In the video Hollow Men, 2006, awkwardly costumed hands turn a flipbook back and forth in both directions, constantly reversing the narrative order of the pictures (which show police in riot gear) and stripping them of affect. In the Olympics images, Martinez crops the infamous surveillance photograph of a Black September terrorist to leave only a detail of rectilinear concrete surfaces; the podium at which American athletes raised the black power salute four years earlier is pared into a similar set of vacant geometric blocks. In some ways the show recalls a Beuysian handling of history—bombastic and narcissistic. But Martinez's work still holds out the possibility of understanding the process of historical cliché, the slow formation of torpor—a heat death that, as the artist's billboard proclaims, "radiates disaster triumphant."

RESTAURANTS > Hallowed Walls of Hollywood


LATIMES.COM: The Palm's ubiquitous portraits of stars and bigwigs are a feast for eyes and egos. When the eatery relocates, the famous faces will follow.

Fame is fleeting. Power wanes. Except at the Palm in West Hollywood.

Walk into this cavernous steakhouse and feel the eyes of moguls and movie stars upon you. There's Paramount Pictures chief Brad Grey and Steven Spielberg, whose painted likenesses occupy a wall not far from bright-hued caricatures of Mike Myers, Warren Beatty and Dustin Hoffman.

Since it opened its doors on Santa Monica Boulevard in 1975, the Palm has been one of the entertainment industry's favorite haunts. Its fabled, face-covered walls are part of the reason. Like a totem pole that tells the story of a tribe, the walls of the Palm have become an insider's directory to three decades of movers, shakers and lotus eaters.

TRAVEL > From Sitcoms to Farm Markets, Charms Abound in Los Angeles


NYTIMES.COM: MY wife doesn't like Los Angeles. "The cars," she says, "the smog — it's a wasteland!" In the decade Nina and I have been married, I have never come close to convincing her that the cradle of global popular culture has any redeeming qualities — but it's always fun trying.

Tuesday, April 11, 2006

RESTAURANTS > Vintage L.A. Dining

Monday, April 10, 2006

ARCHITECTURE > Bohemia, with a killer view


LATIMES.COM: With Schindler as her inspiration and Eastside grunge as her muse, Barbara Bestor is spreading her brand of funky Modernism across Silver Lake -- and beyond.

BARBARA BESTOR'S office is hiding. Camouflaged in ever-changing murals on a gritty stretch of Fountain Avenue in Silver Lake, the building has only one formal sign, and it reads "Hair" — a leftover from the beauty salon that used to occupy the site.

It's not what one might expect of an emerging architect in arguably the city's hippest neighborhood, but that's Bestor: as hard to define as L.A.'s evolving Eastside. Schooled in Modernism at the Southern California Institute of Architecture, later hired by the Beastie Boys and the Dust Brothers, and now relied upon by two young daughters, Bestor manages to fuse street culture with high design, building homes that are full of bohemian chic yet conscious of the realities of everyday living. At 39, she is among a new generation of architects redefining not only what this part of Los Angeles will look like for decades to come, but also how its residents will live.

Tuesday, April 04, 2006

ARCHITECTURE > Frank Gehry Meets His Peers


BUSINESSWEEK.COM: The architectural superstar recently joined Cesar Pelli and Thom Mayne for an L.A. Design Week panel discussion.

"Architects are like Italian tenors," critic Joseph Giovanni said in his introduction to a recent panel discussion with Frank Gehry, Cesar Pelli, and Thom Mayne. "Once they start talking about their buildings, they can't stop singing." An overflow crowd showed up at the Mar. 30 event at the Pacific Design Center in West Hollywood, part of L.A. Design Week, to hear three of the world's most famous architects critique each other's work.

Monday, April 03, 2006

Pouring in a purple haze


LATIMES.COM: If you've been out in L.A. lately, it's not unlikely that you've seen this: a weird rectangular, purple-shaded bottle of vodka sitting on a reserved table or behind the bar, and on the bottle Jimi Hendrix's face and his stringy Spider From Mars afro. And near the bottle a tall, very blond, very voluble guy, talking to someone about his newest venture. That someone is probably nodding in browbeaten amazement.

Every few months, L.A. nightlife is overrun by an upstart boutique vodka, ranging in quality from pretty good to, well, pretty good: For a while it was Belvedere, and then Svedka was ubiquitous, and then everyone and their mother was drinking Effen vodka. If you've ever wondered how this happens, the man to watch right now is Craig Dieffenbach (the very blond guy). A 44-year-old Seattle entrepreneur and lifelong Hendrix adulator who made his fortune in real estate and the Internet, Dieffenbach has been pushing free cases of his Hendrix Electric brand vodka — which is pretty good — at every party and club he can find.

"I love this job!" Dieffenbach blurted out, presiding over a table at an L.A. Fashion Week party he was sponsoring (the term is "pouring," as in "we're pouring at that party"). Paris Hilton was standing a few feet away, possibly drinking his vodka. "All I do is go to parties. We did the L.A. Confidential Oscars party and everybody came. Everybody. [Philip] Seymour Hoffman came. Great actor. And who's that guy, um, ah, he — oh, Dennis Hopper! Dennis Hopper. I love that guy. 'Blue Velvet'? I saw him on the red carpet and I said, 'Hey Dennis' " — Dieffenbach put his hands to his face and inhaled deeply, like Hopper's creepy oxygen-huffing character in the film "Blue Velvet" — "Hey, Dennis, check it out."

There'd been the New Year's parties, then the Oscar parties, then the Fashion Week parties. Dieffenbach was staying in a suite at the Wyndham Bel Age and rolling around town in an enormous Hummer limousine. He has yet to hire a publicist, so at the moment Dieffenbach is (with the late Hendrix, of course) the face of Hendrix Electric.

" 'Entertainment Tonight' couldn't even get in. They hired a private plane to get there and couldn't even get into the party. I met everybody. We, listen to this, we put 900 people on gondolas" — Dieffenbach, who was recounting an Aspen New Year's party at which Hendrix Electric had poured, whooshed his hands through the air like a skiers' gondola — "and brought them all to the top of a 12,500-foot peak, and we partied down!"

The Saturday after the Fashion Week party, Dieffenbach was holding court in the lounge at the Four Seasons hotel in Beverly Hills. He'd just come from a party at the Friars Club where Hendrix Electric was, yes, pouring. He was wearing a blue pinstripe suit, no tie, and champing at the bit. Across the couch was Kaptain, the man behind something called "bubble leather" (Sly of Sly and the Family Stone was outfitted in it at the Grammys), who'd been introducing Dieffenbach around town.

"He changed his name legally to Kaptain," Dieffenbach explained, before Kaptain could. "No last name. This guy rocks!"

On a video iPod, Kaptain was showing off pictures of the latest bubble leather product, the waterproof bubble leather bikini.

"I'm all about the future, you know?" said Kaptain, who was wearing black bubble leather pants and a long black bubble leather coat, and referring to himself in the third person. "What's Kaptain doing now?"

In the 1990s, Dieffenbach got in tight with Hendrix's brother, Leon, and late father, Al. According to Dieffenbach, in 2002 he joined with them in a lawsuit involving a rival faction of the Hendrix family. He put up several million dollars for legal fees and in exchange got to share in the rights to the Hendrix name. He considered a Hendrix water and a fruit drink, Jimi Juice, but decided on vodka.

"It's like drinking with Jimi. The drunker you get, the more you think you're with him."

At the Four Seasons, two women had joined Dieffenbach and Kaptain. Around midnight, a limo arrived — not the Hummer, to Dieffenbach's dismay — and everyone packed in. There was nothing to drink in the minibar, also to his dismay, so Dieffenbach lighted a cigarette, flicked ashes into a goblet and gushed about his daughter, Giovanna Giselle, 9. He's been single since he split from her mother six years ago. "I was engaged to a woman in Moldova, but almost got shot," he said wistfully. "They tried to kidnap her every time we went out."

The limo arrived at a party being held at a garage-themed salon and day spa in West L.A. A few dozen bored-looking people were standing around. There was a big Hendrix Electric poster next to the bar. Dieffenbach ordered a Hendrix Electric and soda and put a $100 bill in the bartenders' tip jar. The party soon wound down, though not before Dieffenbach got business cards from a Swedish diplomat and a masseuse, both blond.

"Fake ... irritates me," he said, referring, it seemed, to the blond hair. "I can't stand it. Also, I love brunettes. I haven't dated a blond in I can't tell you how long."

At close to 2 a.m., everyone piled back into the limo, which the driver had stocked with bottles of Patrón tequila and Grey Goose Vodka. No Hendrix Electric, though.

When the limo arrived back at the Four Seasons, the bar was closing. Dieffenbach had a long few weeks ahead of him. Hendrix Electric would be pouring at director Bret Ratner's birthday party, a Spanish-language TV awards show, an Emmys party. There was a beverage industry conference in Las Vegas. He had to get back to Seattle and hire staff. He was thinking of buying a house in L.A. Then there was the whole question of whether, after all the parties were done — many of which he has to pay to pour at; sometimes as much as a $150,000 for a single event — anyone would actually sell his vodka.

But Dieffenbach wasn't tired. He was going to go back to the Bel Age with Kaptain to find some fun.

As he walked outside, a petite brunette approached. .

"Craig," she said, "your vodka's everywhere. I love it!"

"Thanks. It's great to see you again," Dieffenbach replied.

They chatted for a minute and then the girl drove off.

"Who was that?" he asked.

"I have no idea," Kaptain said.

Ready, set, strut: An insider's guide to running with the pack


LATIMES.COM: For the record, L.A. Fashion Week is officially called Mercedes-Benz Fashion Week at Smashbox Studios, hence the website is www.mbfashionweek.com. And it is officially an industry-only, invitation-only event that nobody should even think about crashing, not even if you're a very polite, cool, well-dressed person who learned in a major daily newspaper that polite, cool, well-dressed people can talk their way into shows, especially the morning events, or call the designers' publicists and ask for tickets. You didn't hear that here. And if you're in my seat, get out.

The view from the Stanford Hotel, Hollywood

Jakob Kolding: "Rent-a-bench", 2003, Public Project, City of Los Angeles

Culture cash - Get a job in the arts and make seven figures?


CALENDARLIVE.COM: Nobody chokes on their Cheerios anymore hearing that Tom Cruise might make $80 million on one movie ("The Last Samurai") or that the Rolling Stones gross $162 million in a year of touring (last year). But since when do museum people make a million a year, and since when do we hear about it?